Revolutionary Bodies is the first English-language primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015.
Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its midcentury founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications.
In this brilliant ethnography, Sangita Sresthova, who has pioneered various dance forms brings alive the world of Bollywood dance. You embark upon this exhilarating journey at a live performance in London, and travel with the author discovering how this unique dance form has united peoples and cultures far and wide.
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.
This video is a documentary of a weekend workshop presented by Cheryl Heazlewood in Perth in 1996. Cheryl presents powerful and inspiring training exercises based on the philosophy of Butoh, on her own international experiences and recent work with her own company: Butoh and beyond.
Filmed on location in Thailand -- an exploration of various types of Thai dance, conducted by Asian dance authority Faubion Bowers, and illustrated with performances by dancers from the royal dance school.